Ayi Kwei Armah is a highly acclaimed novelist, poet and pan-African. Armah’s work is known to critically examine moral integrity that exists between the past and present, with poetic energy. He’s best known for his debut novel – The Beautyful Ones Are Not Yet Born which was published in 1968 as well as the epic historical novel – Two Thousand Seasons (published in 1973) which received mixed reviews and actually received harsh criticism from Chinua Achebe back in 1987.

Ayi Kwei Armah, (born 1939, Takoradi, Gold Coast [now Ghana]), Ghanaian novelist whose work deals with corruption and materialism in contemporary Africa.

Armah was educated in local mission schools and at Achimota College before going to the United States in 1959 to complete his secondary education at Groton School and his bachelor’s degree at Harvard University. He thereafter worked as a scriptwriter, translator, and English teacher in ParisTanzania, Lesotho, Senegal, and the United States, among other places.

In his first novelThe Beautyful Ones Are Not Yet Born (1968), Armah showed his deep concern for greed and political corruption in a newly independent African nation. In his second novel, Fragments (1970), a young Ghanaian returns home after living in the United States and is disillusioned by the Western-inspired materialism and moral decay that he sees around him. The theme of return and disillusionment continued in Why Are We So Blest? (1971), but with a somewhat wider scope. In Two Thousand Seasons (1973) Armah borrowed language from the African dirge and praise song to produce a chronicle of the African past, which is portrayed as having a certain romantic perfection before being destroyed by Arab and European despoilers. The Healers (1979), Armah’s fifth novel, explores a young man’s quest to become a practitioner of traditional medicine while the Asante empire falls to British forces. Armah took an extended break from publishing before releasing Osiris Rising in 1995. The novel examines the struggles of independent Africa and the lingering effects of colonialism. His later books included KMT: In the House of Life (2002) and The Resolutionaries (2013).

All of Armah’s works were concerned with the widening moral and spiritual chasm that existed between appearance and reality, spirit and substance, and past and present in his native Ghana.

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